The artist’s depiction of the wondrous appearance of the resurrected Christ, whom the disciples only recognise at supper together, is emphatically down-to-earth. The naturalistic still life of the set table and the intensive colours used to show the disciples as pilgrims in the clothes of the time lend the scene a contemporary character. How Rosselli—one of the pioneers of Baroque painting in Florence—responded to Caravaggio’s works in a pictorial language rooted in the High Renaissance, is clearly visible here.