Anbetung der Hirten (nach Tizian),

The attribution of the original painting was disputed at the time Marées saw it in the Palazzo Pitti. He admired its contemplative nocturnal atmosphere and its small-scale figures, but Schack was less enthusiastic: ‘Under very bright light it produces a great effect, but darkening over time has rendered it so black that on dull days very little of it can be seen.’