In "Iceland Project", a cycle of works created in 1992 by sculptor and photographer Magdalena Jetelová, traces of light cut straight through Iceland’s rough landscape formations. At first glance, Jetelová's land art interventions appear reduced in their execution. Yet, they allude to a quite particular phenomenon: they mark a sub-zone of the Mid-Atlantic Ridge, where the North American plate separated from the Eurasian plate millions of years ago. Along this ridge, the artist's ground-based interventions invite us to reflect on enduringly relevant topics, such as the formation of continents as well as climate change. By means of a laser beam whose precise lines seem to literally mill into the deserted terrain, Jetelová’s large-format black and white photographs also address a certain systemic criticism: namely the long-standing and still ongoing discourse around borders as human-made constructs of demarcation.