Suleman describes Karachi, her hometown, as one of the most interesting yet most violent cities in the world. The artist has chosen the sea as a fitting visual analogy for this mix of beauty and cruelty. Like the Pakistani port city, it too is vast and beautiful, but merciless in its convulsions. The work’s title echoes a saying of the artist’s grandmother. In her eyes, the ocean’s waters reflect the deadly injustice of the world, routinely tingeing the sky red. “I see so much water but not a drop to drink,” Suleman says.
As in her other video works, the artist here makes use of and reworks found imagery, as a reflection of our image-driven culture and its subjective modes of seeing.