The drama surrounding the murder of St John the Baptist is condensed into a contemplative image featuring the half-length figure of Salome holding the charger with St John’s head. Jacob Burckhardt described this Salome in 1855 as a ‘noble Venetian beauty, withal clever and cold’. Lenbach, who copied the picture in Rome at a time when it was thought to be by Pordenone, praised it as ‘[one of] the most beautiful paintings in the world’.